Miss Read Art Book Fair & Fes­ti­val, Silent Green, Berlin

26.–28.6.2026, Silent Green, Berlin

Table: A01

Albert Coers is visu­al artist, aut­hor, edi­tor. At MISS READ, he shows artist’s publi­ca­ti­ons with a focus on instal­la­ti­ons with found objects and lin­gu­i­stic mate­ri­al. He has self-published books and zines but also col­la­bo­ra­tes with other artists and smal­ler as well big­ger publishers, o.a. with Ker­ber, Revol­ver, Salon, Walt­her König, De Gruy­ter, Icon(Hubert Kret­schmer), and Hat­je Cantz. He not only pro­du­ces and publishes artist’s books, but also has reflec­ted on them in texts and lectures.

He will bring to Miss Read his latest book, “Street Names Lights – a Monu­ment to the Mann Fami­ly”, to accom­pa­ny a Public Art pro­ject in memo­ry of Tho­mas Mann and his fami­ly he com­ple­ted in 2025. The book, edi­ted by Flo­ri­an Matz­ner, is published by Kerber.

Albert Coers incor­po­ra­tes street signs bea­ring the names of various mem­bers of the Mann fami­ly, along with street­lamps from cities of par­ti­cu­lar importance to the fami­ly, inclu­ding Munich, Lübeck, Nida, Rome, New York, São Pau­lo, and Zurich. The memo­ri­al con­veys expe­ri­en­ces of a life in exi­le, of inter­na­tio­na­li­ty, and the family’s cha­ris­ma while simul­ta­neous­ly explo­ring the glo­bal recep­ti­on of their work. This publi­ca­ti­on docu­ments the crea­ti­on of the memo­ri­al, tog­e­ther with the rese­arch behind it; inter­views, texts, and images round out the volu­me with exten­si­ve back­ground information.

“Books to Do” (Hat­je Cantz, 2022) is not the usu­al mono­graph, but a meta-book about alre­a­dy rea­li­zed and yet to be rea­li­zed book pro­jects by Albert Coers in the form of a to-do list. It is a coll­ec­tion of ide­as and sub­jects, a self-docu­men­ta­ti­on, self-sti­mu­la­ti­on, and a joyful­ly uto­pian agen­da at the same time.

Ano­ther recent publication,“Who is / Chi è […] Wer ist […] Albert Coers?”(Salon Ver­lag, 2024) plays with truth and fic­tion, with the expec­ta­ti­ons of an artist’s bio­gra­phy, by asking AI about his own person.

“Wer ist Albert?” (2021/25), a self published zine, evol­ves round the rese­arch on per­so­na­ges with his own first name, “Albert”, by cut-out quo­ta­ti­ons from novels.

“Salon Maga­zin #28” (2025), edi­ted by Ger­hard Thee­wen, fea­tures visu­al essays by Albert Coers, Uwe Esser, Moritz Frei, Ste­phan Hör­nig, Andre­as Keil, Koch­ei­sen & Hull­mann, Mischa Kuball, Kris­ti­na Lenz & Alex Simon Klug, Ana Men­des, Hart­mut Neu­mann, Patrick Nie­mann, Vol­ker Ren­ner, Anne Schwal­be, Knut Sen­ne­kamp, Mar­co Zumbé.

Albert Coers par­ti­ci­pa­tes with “Auf­schrift” (inscrip­ti­on), a col­la­ge of pho­to­graphs from the cel­lar of the house he grew up.

“Ab hier” (icon, 2025) is an artist book­let that fea­tures pho­tos from an archi­ve at Haus der Kunst, com­bi­ned in an asso­cia­ti­ve, playful manner.

Among other recent publi­ca­ti­ons are: BRE­DA, 2022, Eng­lisch-Wör­ter, 1990/2020, Salon, 2020; Albert Coers / Cars­ten Lis­e­cki: TT, Icon 2021; Schöp­pin­g­er Schlä­ger, Salon, 2021; SACRED DISTANCING, Arg­o­books, 2021; MUS­TER­EX­EM­PLAR, 2022

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